New
Fatima Film
Review
of The 13th Day
By John Vennari
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In the spring of this year, I saw
the riveting trailer for The 13th
Day, and looked forward to its release with great anticipation. I recently
viewed the movie itself.
The film is good, though there are some aspects I found disappointing.
The
13th Day has many fine moments. The actress who portrays Lucia’s
mother is superb, and even a bit terrifying. The movie contains the best
portrayal of the Miracle of the Sun I’ve seen. It is filmed in black and white,
except when Our Lady brings everything to color, which is a nice touch. The
overall visual theme of the film is original and appealing. Most of the acting
is well executed, and the film is artistically done.
But it is certain aspects of this
attempted artistry that either slow down the film or present a distraction.
Artistry in film works best when you don’t notice it, but some of the abrupt
film editing, multiple close-ups and strange camera-angles made me feel as if I
were watching a foreign film from the ‘60s.
I remember hearing a commentary by
the renowned actor Peter O’Toole who complained of a common problem in modern
film-making: the camera-man, through his camera work, wants to do the acting;
or the film-editor, through his film-editing, wants to do the acting. O’Toole said, “we’re the actors, let us do the acting”. O’Toole’s admonition
came to mind while I was watching some of the odd camera-work in The 13th Day.
The film opens with the words “Based
on a True Story”, which signals there will be a certain amount of artistic
license in chronicling the Fatima
events. It is the nature of movie-making to employ this
license in the production of any film on a historical subject, but I believe
the film should have stuck more scrupulously to the actual facts in certain
areas, especially since these facts are so readily available.
In the first scene, we see Sister
Lucia at her convent in Pontevedra in 1937, writing her memoirs in obedience to
her Superiors. Sister Lucia is the voice narrating the story, though the
narration is not exactly Sister Lucia’s words, but a modern re-write by the
filmmakers. Thus it does not always sound like the Sister Lucia we know.
An exact rendition of Our Lady’s words are not always
given, sometimes close, sometimes not. For example, The 13th Day has Our Lady saying, “People must turn to
God, for He is already too much offended”, rather than the exact words: “People
must stop offending God, for He is already too much offended.” Also, in the
film, Lucia is not told until October 13 that Our Lady “will take Jacinta and
Francisco soon”, whereas that Message was given on June 13.
Though the bulk of the film is
historically accurate, there are a number of minor inaccuracies, such as those
already noted. I can’t help but wonder why the filmmakers did not always
reproduce Our Lady’s words as She spoke them, and at the time She spoke them.
Perhaps this is why the Fatima
Shrine in Portugal, in its
official endorsement of the movie, called it a “fictional film" based on the
events at Fatima.
Granted even more artistic license
was employed in the 1950s Warner Brothers film Our Lady of Fatima. But I had
hoped The 13th Day, though
a movie, not a documentary, would be a dead-on accurate rendition of the Fatima story brought to screen.
The viewer might also wish that the
actress playing the child Lucia spoke a bit more slowly and with better
diction. Some of her dialogue whizzes by so quickly, you might find it hard to
catch.
One of the refreshing aspects of this
2009 film – at least in the preview I saw – is that it makes no comment on the
controversy surrounding Pope John Paul’s Consecration of the world in 1984, and
of the Vatican’s
commentary on the release of the vision of the Third Secret in 2000. The film contains other strong points, such
as depicting the desolation of Lucia’s father when he learns his fields have
been trampled into disuse by the throngs who come to Fatima
for Our Lady’s visitations.
The film previewed in various
locations
around the country on October 13. The official DVD release date is December 1,
2009.
I am certain many people will be
edified by The 13th Day,
as the story of Fatima itself cannot but move
the soul. The film has a certain rustic beauty, and is bound to get more people
interested in the Fatima Message. The filmmakers deserve much credit for their
devotion to Fatima, and for the tremendous
amount of time, funds and energy they undoubtedly poured into this work.
Based on the trailer I saw five
months ago, I was geared up to write a five-star review. But the trailer had an
energy and pacing that the film does not quite deliver. I am sorry to say I
found The 13th Day to be
good, but disappointing in some areas. With a little better screenplay and
story construction, it could have been one of the great movie events of the
decade.
Official webpage for The 13th Day: http://www.the13thday.com/
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